• K3 House by Bruce Stafford Architects

    This dramatic renovation centres around a spacious internal courtyard defined by natural rock face and lush vegetation. Large sliding glass doors in the main living area enable a seamless flow between inside and outside. The living areas also have the added benefit of glazing on the north façade which opens up the house to the view. The master suite pavilion, perched on the highest portion of the rock face, has been designed as a sanctuary for the parents, whilst maintaining a bird’s eye view over the living areas.

  • The Fourth Wall by François Bauchet, Eric Jourdan and N°111

    Initiated by N°111 with François Bauchet and Eric Jourdan, the Quatrième Mur was one of the off exhibitions which spearheaded the event during the St Etienne Design Biennial 2010. In a former cinema and with this mysterious title, three ex- Saint Etienne students invited two of their ex-lecturers for a collective exhibition in the shape of tribute-thanks-transmission with a result which lecturers and pupils alike can be proud of. The installation comprised everyday objects which, through their design and varying scales, gave rhythm and composition to the scenic space. The objective was to encourage the spectator to observe the objects from our domestic environment from a different angle and to reconsider the relationship between objects. “The fourth wall evokes an intellectual wall separating the actor on the stage and the spectator in the room. The installation of the objects on a stage puts distance between them and the spectator. The goal of the distance is to lead the spectator to consider what is taking place on the stage with an investigative and critical eye. To distance, is to transform the thing that it is to be understood, to which attention is to be drawn, from something banal, known and immediately fixed, into something distinctive, unusual and unexpected. ” N°111 .

  • The Enclave Interior by Jamie Herzlinger

    The clients are world travelers and after a brief period of time living in Milan, they understandably fell in love with the work of Carlos Scarpa! Interpreting his work in combination with the client’s lifestyle made this project very exciting and unique. The house had to be completely gutted, and it was only then that the soaring ceiling heights were discovered. Within the box of space that previously evaporated the entrance, dining room, hallways, and living room, we were able to make each of those public areas very dramatic by the controlled use of the bead blasted steel and poured terrazzo floors that had zinc screeds inlayed for a distinct separation. In the entry, the angled cabinet is a beautiful dining room buffet, fabricated in Makassar ebony and supported within two bead blasted steel columns. It is cantilevered in order to create a visual separation from the entrance, but at the same time contributing to the architectural details. The original master bathroom was combined with a walk in guest closet to create a larger space, as the programming required that the couple preferred to use the bath area together, thereby necessitating a larger space. Visual fluidity and an informal atmosphere were the driving and guiding principles in the complete renovation of this project. .

  • Streetwalk by Charlie Davidson

    A commission won through an open call for artists from Sunniside Partnership, the acting body in charge of revitalising the Sunniside area of Sunderland. Charlie Davidsons original proposal was for a series of benches that had the appearance of walking. This idea was a direct response to the brief which asked designers to draw pedestrians into the east side of town and the newly furbished Sunniside gardens from Sunderland city centre. The original designs were too big for the finalized street layout so the designs were developed into a stool module. The final design is cast in a polymer based cement with coloured quartz and marble aggregate.

MP09 Architecture Building Design by GS Architects

GS Architects designed the new headquarters for Uniopt Pachleitner Group, an eyewear and jewellery company, based in Graz, Austria.






Nicknamed the ‘Black Panther’ by designers GSarchitects, the brief was to construct a landmark building which reflected the products the company designs, as well as its culture and philosophy.

To achieve the sculpture-like aesthetic with dynamic sharp edges and imposing angles, the practice opted for a ventilated rainscreen cladding system from Sto. This mechanical system allowed for the highly ambitious design, as well as a pure, black finish. From the start, GSarchitects wanted a protective glass system to characterise the nature and purpose of their client. The StoVerotec Glass system provided all the functional and aesthetic design elements they required.

The interior of the building is equally striking with sculptural elements throughout. The client demanded a tranquil, beautiful space to inspire creativity. The materials specified to achieve the highly contemporary look posed a significant acoustical issue. StoSilent Panel Alu was chosen to adequately deal with the reverberation of the reflective materials. The selling factor to both client and system designer was the ability of the acoustic system to add to, rather than subtract from the other interior elements.

Visit the GS Architects website.

Watch This Real Video "MP09 Architecture Building Design by GS Architects"



Pitch’s Good Ideas House Design by Iñaqui Carnicero

Spanish architect Iñaqui Carnicero designed the Pitch’s House in Madrid, Spain.






The house is located in a small neighbourhood on the west boundaries of Madrid in a place called “los Peñascales”, that mean something as well as great stones. The plot is characterized to have a great slope oriented to the south and have two great granite rocks partially covered by moss. The structure of the house at a functional level as formal is explained perfectly in section. The underground level is used to solve the encounter with the slope of the land.

It incorporates two granite rocks, one of them structurally and other as an articulation that makes the main access to the house. The ceiling of the underground level generates the white floor made of calcareus stone that constitutes the noble plane where the daily life is developed. A single space opened to the south only close by glass that disappears to incorporate the water plane of the swimming pool in a first plane and the mount named “el pardo” in a second.

This closure does not fit with the perimeter of the first floor but moves inside to generated two porches at the ends and a marquee on the front that allows the entrance of rays of the sun in winter and is protected of its impact during the warm months of summer. The first floor is been thought like a closed box made of concrete that floats over the glass of the ground floor. Here is where the rest of the rooms are organized as well as the zones destined to the study.

A unique bay window located at 1,40 meter of height allows to trim the skyline of the landscape and uniformly illuminates the concrete ceiling. The independence of levels is only interrupted by two double heights that put in relation both spaces described previously. The economic restrictions have caused that the house is solved with the minimal possible gestures that nevertheless generates a great diversity of spaces and attractive situations.

Visit Iñaqui Carnicero’s website.

WOOPY Armchair Sweet Chair Design and Barstool Ideas by Karim Rashid for B-Line

Karim Rashid has designed the WOOPY armchair and barstool for Italian manufacturer B-Line.







Visit the B-Line website.

Wurzburg Lakehouse Villa Design by Archimania

Archimania designed the Wurzburg Lakehouse in Pickwick, Tennessee, USA.








Project Description: A modern vacation home for a Memphis-based family, located in a wooded subdivision on Pickwick Lane.

Solution: To maximize panoramic views of the Lake, this 3,500 SF waterfront home is partially embedded into its sloping site. The entry pathway into the home splits the main volume into distinct public and private zones, resulting in a dramatic framed view of the lake upon entry. The low sloped roof of the public zone directs you to views of the forest, white the private zone opens toward the water. These light wood and glass volumes sit atop a heavy stone and concrete base, which anchors the home to the site.

Bottom-line: A comfortable, modern getaway, the home provides a welcoming retreat from city life.

Visit the Archimania website.

Photography by Brian Laskaris

EMÜ Sports Hall Architecture Design by Salto Architects

Salto Architects designed the EMÜ Sports Hall in Tartu, Estonia.






The chosen plot for the sports hall was an empty, flat field right at the roadside at the entrance to Tartu, so in addition to functionality and ability to integrate and organize the surrounding campus area, the architectural competition, in a way, expected a greater degree of representation than the building type would normally imply. At the same time, the spatial programme of a sports hall largely prescribes the possibilities of designing the main volume.

We decided to stretch all corners of the cubic volume, and to integrate the building organically with landscape. Elevated ground forms a „cushion“ for the slightly entrenched building, thus optically minimising its volume, and continues in undulating forms, encompassing outdoor sports grounds and bicycle paths, towards a sloping valley further away. The streched-out corners of the building create concave lines both in plan and elevation, gently relating to landscape and softening the size of the building. At the same time the building retains sharpness, enabling constantly varying, expressive views from various angles. This is due to optical effects of the form, clear-cut lines and finishing materials – glass on the longer sides of the building and larch cladding with wooden snags (nicknamed „hair“) on the shorter ones. The latter also add to the subtle play of overall optical effects, being shorter and denser in the middle, and longer and more widely placed at the edges. The snags coloured red form the name of the building – EMÜ spordihoone.

In the interior, the same attitude continues – a limited repertoire of considered details and takes. Moving around, the overall feel is light and airy, easy to navigate. The streched-out plan creates unconventional interior spaces. The choice of colours and materials is strictly limited to smooth exposed concrete and painted carroty surfaces with details in matte and shiny black. Irregularly placed bubbly interior windows opening towards the ballgames hall add a touch of frisky lightness and are echoed in the round glazed openings in gallery floor. In a delicate way, one is reminded that a sports hall is a bodily space – e.g. the concave outline of the building creates galleries narrowing in the middle, and with glazed openings in the floor the resulting space sharpens one’s bodily experience of space.


Visit the Salto Architects website.

Photography by Kaido Haagen, Reio Avaste, and Karli Luik

Whistler Public Library Architecture Design by Hughes Condon Marler Architects

Hughes Condon Marler Architects designed the Whistler Public Library in Whistler, BC, Canada.


Whistler Public Library by Hughes Condon Marler Architects

Reinterpreting the existing Whistler architecture, which is often characterized by overly expressed connection details and faux alpine pastiche, the design intent for the library was to create a crafted response to site conditions and the imperatives of alpine architecture by using local natural materials, contemporary wood detailing, and a formal building response to improve energy efficiency.

Located between the largest park in Whistler Village and a vital pedestrian promenade called the Village Stroll, the Whistler Public Library is a project that celebrates a community’s passion for the outdoors and the creative and intellectual pursuits of locals and visitors alike. From the project’s beginning, the 15,000 sq. ft. library aspired to connect the sense of imagination, contemplation and community found in the world of books with the inspiration created by the surrounding mountain tops and adjacent forest glades.

The library’s L-shaped plan allows multiple connections to contrasting site conditions. On the north side of the site is Village Park which contains a children’s reading circle, pedestrian walkways, biking/skiing greenways and a stream for stormwater management. Adjacent to the park, the elevations on the north and west of the library provide an expansive curtain wall glazing system that optimizes visual connections to Sprott Mountain in the distance and to Village Park in the foreground. To emphasize this relationship, the vertical window mullions are staggered randomly to abstract the rhythm of the tree trunks in the adjacent park and to draw the eye upward toward the views.

In juxtaposition to the park elevations, the south and east elevations on Main Street use pedestrian arcades, long overhangs, rhythms of doubled up glulam columns punctuated with wood windows and infill wood panels to connect to the meandering and intimate architecture of the Whistler Village. To enhance these links to the social life and outdoor activities of Whistler, the building is oriented to create a civic plaza that links the building to the Village Stroll and provides a sense of prospect over the park to the north.

From the book lined walls of St. Jerome’s study to the soaring computer lined sections of the Seattle Library, library typology is continually changing and adapting to differing social conditions and technologies. For this library, there was a desire to provide the flexibility that new media and technologies require but to also carefully consider the relationship between a reader and a book. The Reading Room is located in the north arm of the grand library space but is provided with access to bright west sunlight suitable for repose on a cold winter’s day. This wall is a composition of 40% glazing and 60% insulated wood panels that reduces solar heat gain in the summer. This design strategy also allows patrons to choose a sunny or shady location for their comfortable reading chair and provides a variety of framed views at different scales.

Similarly, but on a more intimate scale, the ceiling of the carrels along the north elevation is dropped down and an enfilade of concrete walls creates a cloistered atmosphere for those wishing to study quietly. Within this space, the millwork carrels are integrated into the wood window frames so that one feels that they are in their own space on the threshold between inside and outside.

A large multipurpose room adjacent to the entry vestibule can be utilized for lectures, artist talks or community events even after regular library hours offers a space for ideas and discussion characteristic of traditional library spaces.

The form of the building references the drama of the jagged mountaintops circling Whistler but also uses notions of sustainability to inform the design. The high summer sun which brings unwanted heat gain is mitigated by the placement of the “back of house” volume with large overhangs and smaller punched window openings on the south side of the building. A small clerestory band over this volume accommodates for low winter sun into the main space of Library while allowing for cross ventilation and views for skiers to the top of Whistler Mountain. On the north elevation, the upwardly sloping roof accommodates a large high performance curtain wall glazing system that maximizes the even north light that is most desirable for reading and glare reduction on computer screens.

Spatially, the result is a building that opens up in plan and section creating dramatic variations in daylighting from season to season and revealing unfolding views of the landscape beyond.

From the outset, the brief for the Whistler Public Library was clear that the building design was to promote the community’s sustainable development ambitions in a visually apparent manner. The most dramatic green strategy utilized in the project is the laminated hemlock roof system. This assembly acknowledges the tradition of craft evolving in Whistler and draws inspiration from the vernacular architectural language of Whistler. Hemlock is a highly accessible and readily available wood species that is currently under-utilized in wood construction. It is superior to cedar and fir from a sustainability perspective because it is often second growth lumber that does not require lengthy transportation to market. The design team developed a panel system of staggered and laminated 4”x12”’s that were simply fabricated without the use of glue into 4’ wide panels and cut to length as required.

The laminations are staggered 3” which increases the effective depth of the beam to span long distances under heavy roof loading from a green roof and very high snow loads. The result of using these panels is that the structural zone is reduced substantially from a traditional decking/purlin/beam system. Architecturally, the panels also become an elegant yet robust ceiling expression that reduces acoustic reverberation and reinforces the idea of inside/outside connection by extending out over the glazing and wall systems to become continuous soffits and overhangs.

Site + Context
The form of the library opens up to the light and views of the mountains to the north. The visual connections are enhanced by physical connections to the landscape including an accessible pedestrian path that links through to an outdoor reading circle used for children’s story time and a creek used to manage stormwater run-off. On the west and north are two outdoor reading terraces that can be used during the later hours of summer sun. To the south, the main entry to the library is located so that building is visible from the Village Stroll and an arcade is provided to protect patrons during inclement weather. Taking advantage of grade changes a bike/skiing end of trip shower and change facility is tucked into the northeast corner adjacent to the park. A south facing civic plaza connects through to the Village Stroll and becomes an important civic space for the community.

Spatial + Light Qualities
Intimate scaled quiet carrals are carved out of the main grand space of the library. A cloistered contemplative space is provided with millwork and wood windows integrated in arrangements that allow for silent study or small group work. The opening windows provide soft north light ideal for reading.

Variations of light and shade over the course of the day combined with compressions and expansions of volume, enhance the experience of the building. In winter, a band of clerestory glazing on the south tapers gently to the west allowing direct sun deep into the building, and drawing young patrons through the building to the children’s area.


In summer, a roof overhang and light shelf on the south combine to bounce light into the space reducing summer heat gain but also bringing in even light conducive to library activities. The shallow structural zone provided by the laminated wood roof maximizes the size of the north facing glazing.

LEED Strategies
Whistler Library is anticipated to receive a LEED Gold Rating by incorporating a wide array of sustainable design principles. A cycling and skiing end-of-trip facility has been provided with showers and lockers to encourage people to use alternate transport. In addition to the siting principles undertaken to reduce solar heat gain, energy efficiency of the building is improved by utilizing ground source heat exchange, displacement heating and cooling (through a raised access floor), high efficiency boilers, and DDC (Direct Digital Control) systems to control opening windows and mechanical systems. Finally, a green roof to reduce stormwater and maintain snow on the roof for increased insulation acts as a visual symbol of the community’s sustainability goals and approach to a re-invented mountain architecture.

Main Floor Plan
The library plan is informed by the particular space requirements of the program in both plan and section. The servant spaces of the back of house and children’s program room are in a low bar along the south elevation with standard ceiling heights. This bar is represented as a wood bridge with heavy masonry and concrete anchoring elements. The entry vestibule, multipurpose room and washroom blocks have the ability to be isolated from the main space of the library so that they can be used for artist talks, slide shows and other community events when the library is closed. The main space of library with its soaring exposed ceiling is zoned according to noise levels with the reading room and children’s area’s located at the bookends. In between, the quiet carrels are located in an intimate space of contemplation with views to the forest and mountains beyond.

Innovation in design – laminated wood roof
The combined load from the green roof and heavy snow loads of Whistler is a substantial 220 lbs/sq.ft. (10.4 kpa). In a typical wood structure based on a deck, purlin and beam assembly these loads would have resulted in an extremely deep structural zone thereby increasing the height of the building and corresponding exterior wall assembly in order to achieve the desired light and views. The laminated system allows for a shallow structural zone reducing exterior cladding quantities and maximizing light and views. In between the panels is a 12” (300mm) space has been left to run services such as sprinklers and lighting conduit and provides some visual relief while maintaining the impression of a clean blanket of wood overhead.



Wood Detailing Approach
Responding to the extremely high snow loads found in Whistler, the vernacular architecture of the area is characterized by the extensive use of heavy timber construction. This project draws upon this tradition but also applies a more contemporary design language by utilizing refined pin connections,hidden knifeplate connections and 19mm reveals between glulam column and beams connections to create a sense of lightness in the support of the laminated wood roof.


Visit the website of Hughes Condon Marler Architects .

Photography by Martin Tessler

Dual Cut Foam Block Multy Fungtion by Kitmen Keung for SIXINCH

Kitmen Keung designed the Dual Cut Foam Block collection for Belgian manufacturer SIXINCH.






Splitting a raw rectangular foam block with only two L-shaped cut lines, Dual Cut is a transformable furniture piece that employs the simplest production processes true to the materials in use with minimal wastage. It features two ergonomically comfortable seat back angle options of 6° and 23°, and the multi-formation ability to form a one seater with a side table, a chaise lounge or a corner table. It also easily forms a neat, compact parcel for convenient storage and transportation. Dual Cut is available in Light Grey and Dark Grey with a 3-layer-system coating making it suitable for both indoor and outdoor use. Dimensions: stacked, w80 x h80 x d93cm; chaise lounge, w80 x h80 x d170cm; ottoman, w80 x h40 x d77cm; seat height 40cm.

Visit Kitmen Keung’s website.

Visit the SIXINCH website.

Baufeld 10 Top Building Design Idea by LOVE Architecture and Urbanism

LOVE Architecture and Urbanism designed the Baufeld 10 building in Hamburg, Germany.






With the HafenCity Hamburg, a new district covering 157 hectares is being developed directly at the port. In addition to the mixed utilization, the relevant urban development concept calls for high-quality architecture. For this reason, there was a separate tendering process for each individual building site.

LOVE architecture and urbanism from Graz won the competition for “Baufeld 10.” The site is situated in an area within the Dallmannkai, directly on the water and in direct proximity to the “Elbphilharmonie” – a concert hall currently being developed by the Swiss Office of Herzog & de Meuron. In total, 26 architecutral offices were awarded projects at the Kaiserkai.

LOVE’s special challenge: The Baufeld 10 project was developed in a joint building venture. This means that the various future residents worked together to create a real community for the new building. Within this model, individualists connected with each other with the goal of building THEIR communal house. The building typology had to meet this expectation. This is why the building houses many different building typologies with all kinds of furnishing standards: from very large apartments (up to approx. 225m²) to smaller units (approx. 50m²), which feature entirely different designs – from one-storey apartments to maisonettes that stretch across four storeys.

For Baufeld 10, individualisation was the top priority. Each of the 28 new residents can now enjoy his or her unique lifestyle within his or her apartment – whether horizontal or vertical – whether in a small or a big apartment. These different visions were blended into one building – to everyone’s satisfaction. Viewed from the outside, the residential building presents a gleaming white structure formed of slightly bevelled cubes and with generously proportioned, slightly bevelled window openings. The configuration of these window openings matches the layout of the apartments behind them. Each apartment has a balcony and/or bay which protrude from the building. Within the rigid row of buildings, this configuration provides maximum views in an “exciting direction” – namely, the harbour.

Structural design and facade
The support system consists of a supporting building envelope with stiffening apartment partitions and storey ceilings and was calculated as a spacial static system. This made it possible to place the quite large window openings freely in the exterior walls of the building and to minimize the concrete and steel volume used, which also reduced the construction costs. More structurally demanding parts of the building, such as the roundings of the facade, the balconies and the bays, were executed as prefabricated elements. The facade, which serves as an outside composite thermal insulation system, was provided with a “natural stone plaster” surface. This is composed of natural stone grains with an admixture of mica, which causes the facade to sparkle slightly in the sun, a valuable visual effect. The window roundings and the bevelled window reveals were modelled into the composite thermal insulation system with thermal insulation moulding.

Energy savings and climate protection
From the planning stages of the new district, the Municipal Development Company already emphasized energy savings and climate protection with a series of sustainable ecological measures for the emerging new buildings.

Regarding the building’s technical characteristics, the apartment building was planned and built according to the latest Energy Conservation Regulations (EnEV). The building features a very light construction mass and a building shell that provides excellent air sealing. One definite cornerstone of the building’s energy concept is its connection to the local heat and power plant, which combines the production of heat and power. Outfitting the apartment building with a solar thermal system of ten vacuum-tube collectors for the central domestic water supply is an additional energy efficiency measure.

The solar thermal energy system and the heating connection to the local energy provider
combine to cover the heating requirement of about 30 kwh/(m²a).

Visit the website of LOVE Architecture and Urbanism.



Blues Point ArchitectureHotel and Restaurant Outdoor Terrace Design by Carter Williamson Architects

Carter Williamson Architects designed an outdoor terrace for the Blues Point Hotel in Sydney, Australia.







The Blues Point Hotel required an outdoor terrace that was enjoyable to be in but respected the residential neighbours by keeping the noise down and maintaining privacy. The deck unifies the internal spaces of the pub by infilling the original L shaped plan and meeting the interior spaces at floor level. By opening up the best rooms and giving them back to the hotel, and inviting these spaces to share in the joy of the deck, the hotel in an instant feels familiar yet infinitely bigger. The curvilinear form of the deck meanders around a 30m tall Norfolk Pine, and deflects and absorb noise, while responding in part to the wonderful curves in the art deco form of the existing hotel. The warm and inviting walls were designed to live in, to embrace the patrons and provide open and exposed spaces and private and secreted nooks. Windows punch slender holes in the tall walls to embrace the view only, blinkering patrons from the neighbours gardens. The playfulness of the deck adds to the relaxing experience of a lunch or a few quite drinks on a sunny afternoon, or a night out with friends.


New Lighting from Aqua Creations - Lamp Molecules and Tokonoma Design

Israel-based Aqua Creations have introduced some new lighting collections.




Tokonoma
Designed by Albi Serfaty & Eitan Ben Tovim


Molecules
Designed by Ofir Zucker & Albi Serfaty in collaboration with origami artist Ilan Garibi



Fossa Furniture Sofas Design by Aurélien Barbry for COR

French designer Aurélien Barbry has created the Fossa sofa for the German manufacturer COR.







Lounger, sofa, corner combination? FOSSA functions according to the principle of change: Cushion elements find a place in recesses – they are inserted, moved or removed. In doing so, another new piece of furniture is created – for relaxing, reading, listening to music, alone, in a twosome, in a threesome. It’s a good thing if everything is within easy reach and small things can be hidden away quickly. FOSSA is for people who value flexibility and to whom good seating is paramount.

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