• K3 House by Bruce Stafford Architects

    This dramatic renovation centres around a spacious internal courtyard defined by natural rock face and lush vegetation. Large sliding glass doors in the main living area enable a seamless flow between inside and outside. The living areas also have the added benefit of glazing on the north façade which opens up the house to the view. The master suite pavilion, perched on the highest portion of the rock face, has been designed as a sanctuary for the parents, whilst maintaining a bird’s eye view over the living areas.

  • The Fourth Wall by François Bauchet, Eric Jourdan and N°111

    Initiated by N°111 with François Bauchet and Eric Jourdan, the Quatrième Mur was one of the off exhibitions which spearheaded the event during the St Etienne Design Biennial 2010. In a former cinema and with this mysterious title, three ex- Saint Etienne students invited two of their ex-lecturers for a collective exhibition in the shape of tribute-thanks-transmission with a result which lecturers and pupils alike can be proud of. The installation comprised everyday objects which, through their design and varying scales, gave rhythm and composition to the scenic space. The objective was to encourage the spectator to observe the objects from our domestic environment from a different angle and to reconsider the relationship between objects. “The fourth wall evokes an intellectual wall separating the actor on the stage and the spectator in the room. The installation of the objects on a stage puts distance between them and the spectator. The goal of the distance is to lead the spectator to consider what is taking place on the stage with an investigative and critical eye. To distance, is to transform the thing that it is to be understood, to which attention is to be drawn, from something banal, known and immediately fixed, into something distinctive, unusual and unexpected. ” N°111 .

  • The Enclave Interior by Jamie Herzlinger

    The clients are world travelers and after a brief period of time living in Milan, they understandably fell in love with the work of Carlos Scarpa! Interpreting his work in combination with the client’s lifestyle made this project very exciting and unique. The house had to be completely gutted, and it was only then that the soaring ceiling heights were discovered. Within the box of space that previously evaporated the entrance, dining room, hallways, and living room, we were able to make each of those public areas very dramatic by the controlled use of the bead blasted steel and poured terrazzo floors that had zinc screeds inlayed for a distinct separation. In the entry, the angled cabinet is a beautiful dining room buffet, fabricated in Makassar ebony and supported within two bead blasted steel columns. It is cantilevered in order to create a visual separation from the entrance, but at the same time contributing to the architectural details. The original master bathroom was combined with a walk in guest closet to create a larger space, as the programming required that the couple preferred to use the bath area together, thereby necessitating a larger space. Visual fluidity and an informal atmosphere were the driving and guiding principles in the complete renovation of this project. .

  • Streetwalk by Charlie Davidson

    A commission won through an open call for artists from Sunniside Partnership, the acting body in charge of revitalising the Sunniside area of Sunderland. Charlie Davidsons original proposal was for a series of benches that had the appearance of walking. This idea was a direct response to the brief which asked designers to draw pedestrians into the east side of town and the newly furbished Sunniside gardens from Sunderland city centre. The original designs were too big for the finalized street layout so the designs were developed into a stool module. The final design is cast in a polymer based cement with coloured quartz and marble aggregate.

Engawa House in Seattle - Washingtonby Sullivan Conard Architects Design

Sullivan Conard Architects have designed the Engawa House in Seattle, Washington.

Engawa House in Seattle - Washingtonby Sullivan Conard Architects Design (Ladder Viewer)

Engawa House in Seattle - Washingtonby Sullivan Conard Architects Design (Backyard Viewer)

Engawa House in Seattle - Washingtonby Sullivan Conard Architects Design (Eksterior Viewer)

Engawa House in Seattle - Washingtonby Sullivan Conard Architects Design (Front Viewer)

Engawa House in Seattle - Washingtonby Sullivan Conard Architects Design (Interior Furniture Viewer)
Engawa House can best be understood in its multiple contexts: lakefront site, Pacific Rim city, timber-industry clients open to materials that speak simply but poetically of shelter and home. At its heart is the “light core,” a vessel-like structure rising to a clerestory, illuminating the house and organizing its circulation patterns. Timber-framed in hemlock—a reference to the owners’ long involvement with Northwest woods—the light core acknowledges its source in Japanese architecture, also expressed in the structure’s horizontal banks of windows, screening devices of glass and lattice, and the engawa itself, a south-facing veranda edge between interior and garden. Engawa House’s spare detailing allows materials to speak of themselves, of the art of construction, and of a creative process marked by owner, architect, and craftsmen finding stillness amid the complex demands of house design and construction.

Visit the Sullivan Conard Architects website

Photography by Benjamin Benschneider



Posted by Zombie at 3:24 AM
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