• K3 House by Bruce Stafford Architects

    This dramatic renovation centres around a spacious internal courtyard defined by natural rock face and lush vegetation. Large sliding glass doors in the main living area enable a seamless flow between inside and outside. The living areas also have the added benefit of glazing on the north façade which opens up the house to the view. The master suite pavilion, perched on the highest portion of the rock face, has been designed as a sanctuary for the parents, whilst maintaining a bird’s eye view over the living areas.

  • The Fourth Wall by François Bauchet, Eric Jourdan and N°111

    Initiated by N°111 with François Bauchet and Eric Jourdan, the Quatrième Mur was one of the off exhibitions which spearheaded the event during the St Etienne Design Biennial 2010. In a former cinema and with this mysterious title, three ex- Saint Etienne students invited two of their ex-lecturers for a collective exhibition in the shape of tribute-thanks-transmission with a result which lecturers and pupils alike can be proud of. The installation comprised everyday objects which, through their design and varying scales, gave rhythm and composition to the scenic space. The objective was to encourage the spectator to observe the objects from our domestic environment from a different angle and to reconsider the relationship between objects. “The fourth wall evokes an intellectual wall separating the actor on the stage and the spectator in the room. The installation of the objects on a stage puts distance between them and the spectator. The goal of the distance is to lead the spectator to consider what is taking place on the stage with an investigative and critical eye. To distance, is to transform the thing that it is to be understood, to which attention is to be drawn, from something banal, known and immediately fixed, into something distinctive, unusual and unexpected. ” N°111 .

  • The Enclave Interior by Jamie Herzlinger

    The clients are world travelers and after a brief period of time living in Milan, they understandably fell in love with the work of Carlos Scarpa! Interpreting his work in combination with the client’s lifestyle made this project very exciting and unique. The house had to be completely gutted, and it was only then that the soaring ceiling heights were discovered. Within the box of space that previously evaporated the entrance, dining room, hallways, and living room, we were able to make each of those public areas very dramatic by the controlled use of the bead blasted steel and poured terrazzo floors that had zinc screeds inlayed for a distinct separation. In the entry, the angled cabinet is a beautiful dining room buffet, fabricated in Makassar ebony and supported within two bead blasted steel columns. It is cantilevered in order to create a visual separation from the entrance, but at the same time contributing to the architectural details. The original master bathroom was combined with a walk in guest closet to create a larger space, as the programming required that the couple preferred to use the bath area together, thereby necessitating a larger space. Visual fluidity and an informal atmosphere were the driving and guiding principles in the complete renovation of this project. .

  • Streetwalk by Charlie Davidson

    A commission won through an open call for artists from Sunniside Partnership, the acting body in charge of revitalising the Sunniside area of Sunderland. Charlie Davidsons original proposal was for a series of benches that had the appearance of walking. This idea was a direct response to the brief which asked designers to draw pedestrians into the east side of town and the newly furbished Sunniside gardens from Sunderland city centre. The original designs were too big for the finalized street layout so the designs were developed into a stool module. The final design is cast in a polymer based cement with coloured quartz and marble aggregate.

Haines House Design by Christopher Polly Architect

Australian architect Christopher Polly has completed the Haines House in Sydney, Australia.


Haines House is located in the inner city Sydney suburb of Newtown, in an area that is steadily displaying evidence of gentrification in the general upgrade of the surrounding urban fabric. The immediate context is comprised of predominantly single storey attached and semi-detached residences with intermittent 2 storey dwellings and 3 to 4 storey apartment blocks.

The proposal involved the complete refurbishment of an existing single storey semi-detached dwelling with the addition of an open plan volume beyond the original rear existing roof plane, to improve the physical and visual relationships to the new rear garden, while harnessing improved access to sunlight, natural ventilation and views to borrowed landscapes and sky beyond.

The generation of the design entailed two formal strategies:

1. A clear response to place in three acts involved extrapolating the line of the rear roof pitch of the immediate adjoined dwelling to generate the form of the singular roof and ceiling plane, extruding this to the extent of the rear setback alignment of this adjoined dwelling in plan, followed by the extension of an existing low roof level along the unadjoined eastern edge to the new rear footprint – under which a long ‘working wall’ spine accommodates a kitchen, storage and varying configurations of joinery, extending outside to accommodate a second toilet with basin.

2. The retention of the original front dwelling and centrally located bathroom enabled old and new fabric to stitch and enmesh an alternating sequence of compression and expansion, enfolding a series of expressed rooms from the narrow hall and front cellular 3-room layout, to open release in a newly accommodated Living room, followed by a compressed scale shift and downward change in level via an almost secreted passage into the new heightened rear openness of a Dining, Kitchen, second Living space.

The height of the low roof served to establish a datum that scribed the alignment of all elements wrapped around the interior of the rear volume, setting the heights of the rear steel door head and sliding doors, timber board wall linings, timber board lined laundry units and new wall heights of the retained bathroom.

Fixed highlight glazing finely connects these newly established bathroom wall heights with the singular ceiling plane, enclosing it from surrounding spaces while borrowing light from three directions. An arrangement of fine steel plate supports and banks of highlight louvred and fixed windows march along and above the entire eastern low roofed working wall, bridging the high and low roofs and wrapping to the rear southern orientation, while a series of pocket concealed timber framed sliding doors extend the living spaces onto a roofed terrace that directly connects to the enclosed private garden and surrounding borrowed landscape beyond.

Architects: Christopher Polly Architect
Location: Newtown, Sydney, Australia
Project Team: Christopher Polly
Structural Engineer: Simpson Design Associates
Builder: Paul King Pty Ltd
Project Area: 115 sqm
Landscaped Area: 58 sqm
Project Year: 2010
Photographs: Brett Boardman


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