• K3 House by Bruce Stafford Architects

    This dramatic renovation centres around a spacious internal courtyard defined by natural rock face and lush vegetation. Large sliding glass doors in the main living area enable a seamless flow between inside and outside. The living areas also have the added benefit of glazing on the north façade which opens up the house to the view. The master suite pavilion, perched on the highest portion of the rock face, has been designed as a sanctuary for the parents, whilst maintaining a bird’s eye view over the living areas.

  • The Fourth Wall by François Bauchet, Eric Jourdan and N°111

    Initiated by N°111 with François Bauchet and Eric Jourdan, the Quatrième Mur was one of the off exhibitions which spearheaded the event during the St Etienne Design Biennial 2010. In a former cinema and with this mysterious title, three ex- Saint Etienne students invited two of their ex-lecturers for a collective exhibition in the shape of tribute-thanks-transmission with a result which lecturers and pupils alike can be proud of. The installation comprised everyday objects which, through their design and varying scales, gave rhythm and composition to the scenic space. The objective was to encourage the spectator to observe the objects from our domestic environment from a different angle and to reconsider the relationship between objects. “The fourth wall evokes an intellectual wall separating the actor on the stage and the spectator in the room. The installation of the objects on a stage puts distance between them and the spectator. The goal of the distance is to lead the spectator to consider what is taking place on the stage with an investigative and critical eye. To distance, is to transform the thing that it is to be understood, to which attention is to be drawn, from something banal, known and immediately fixed, into something distinctive, unusual and unexpected. ” N°111 .

  • The Enclave Interior by Jamie Herzlinger

    The clients are world travelers and after a brief period of time living in Milan, they understandably fell in love with the work of Carlos Scarpa! Interpreting his work in combination with the client’s lifestyle made this project very exciting and unique. The house had to be completely gutted, and it was only then that the soaring ceiling heights were discovered. Within the box of space that previously evaporated the entrance, dining room, hallways, and living room, we were able to make each of those public areas very dramatic by the controlled use of the bead blasted steel and poured terrazzo floors that had zinc screeds inlayed for a distinct separation. In the entry, the angled cabinet is a beautiful dining room buffet, fabricated in Makassar ebony and supported within two bead blasted steel columns. It is cantilevered in order to create a visual separation from the entrance, but at the same time contributing to the architectural details. The original master bathroom was combined with a walk in guest closet to create a larger space, as the programming required that the couple preferred to use the bath area together, thereby necessitating a larger space. Visual fluidity and an informal atmosphere were the driving and guiding principles in the complete renovation of this project. .

  • Streetwalk by Charlie Davidson

    A commission won through an open call for artists from Sunniside Partnership, the acting body in charge of revitalising the Sunniside area of Sunderland. Charlie Davidsons original proposal was for a series of benches that had the appearance of walking. This idea was a direct response to the brief which asked designers to draw pedestrians into the east side of town and the newly furbished Sunniside gardens from Sunderland city centre. The original designs were too big for the finalized street layout so the designs were developed into a stool module. The final design is cast in a polymer based cement with coloured quartz and marble aggregate.

Potrero Interior House Design by Cary Bernstein

Architect Cary Bernstein designed the Potrero House in San Francisco, California.


















PROJECT OVERVIEW
This project involved the expansion, interior renovation, and furnishing of an old cottage on a triple-wide lot in San Francisco. The project was completed in two phases marking the personal trajectory of the client’s life from bachelor to father of three. Early strategic and functional interior renovations were followed by a third-floor addition with comprehensive interior, exterior and landscape improvements.

ARCHITECTURE AND DESIGN
When our client purchased the property, the integrity of the original cottage had suffered a series of haphazard additions over a 100-year period. The mandate for all new work was threefold: expand the house while staying within the existing footprint to protect the mature gardens; integrate a modern architectural vocabulary with the older construction; and build sustainably. The new architecture reasserts the cottage’s unique identity by fluidly knitting together a modern vocabulary of open interiors, connection to the outdoors and contemporary materials with the endearing and quirky characteristics of the original building such as its mid-lot siting, irregular footprint and rough-sawn paneling.

The third floor expansion provided an opportunity to reduce energy consumption and employ sustainable materials. The introduction of operable, high-performance wood windows and the open vertical core of the central stair increase natural daylight and ventilation, while reclaimed wood floors from a 19th century barn add a warm patina consistent with the original cottage. Interior glass panels at the stair rails and entry canopy provide a light and planar contrast with naturally figured finishes. Stone slabs used in the fireplace surround and counters are solidly vernacular while their square-edged profiles are decidedly modern. Rhythmic and refined metal railings, trellis details and chimney cladding provide a crisp counterpoint to the natural wood and stone forms. The variegated pattern of the new, FSC-certified cedar siding recalls the existing, interior wood paneling, adding a subtle historic texture to the modern exterior profile of the expanded building.

A minimal architectural & furnishing palette emphasizes the visual connection between interior and exterior, green gardens and blue sky. A unified design vocabulary acts as a datum for registering shifting sunlight throughout the day. Furnishings combine refurbished and reupholstered family items that support sustainable reuse with new modern pieces such as a sculptural, custom-fabricated walnut kitchen island, geometric breakfast table, mid-century chairs and iconic fabrics. The integrated architectural and interior design engenders sophistication and playfulness, creating a portrait of this modern family in its early years.


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