• K3 House by Bruce Stafford Architects

    This dramatic renovation centres around a spacious internal courtyard defined by natural rock face and lush vegetation. Large sliding glass doors in the main living area enable a seamless flow between inside and outside. The living areas also have the added benefit of glazing on the north façade which opens up the house to the view. The master suite pavilion, perched on the highest portion of the rock face, has been designed as a sanctuary for the parents, whilst maintaining a bird’s eye view over the living areas.

  • The Fourth Wall by François Bauchet, Eric Jourdan and N°111

    Initiated by N°111 with François Bauchet and Eric Jourdan, the Quatrième Mur was one of the off exhibitions which spearheaded the event during the St Etienne Design Biennial 2010. In a former cinema and with this mysterious title, three ex- Saint Etienne students invited two of their ex-lecturers for a collective exhibition in the shape of tribute-thanks-transmission with a result which lecturers and pupils alike can be proud of. The installation comprised everyday objects which, through their design and varying scales, gave rhythm and composition to the scenic space. The objective was to encourage the spectator to observe the objects from our domestic environment from a different angle and to reconsider the relationship between objects. “The fourth wall evokes an intellectual wall separating the actor on the stage and the spectator in the room. The installation of the objects on a stage puts distance between them and the spectator. The goal of the distance is to lead the spectator to consider what is taking place on the stage with an investigative and critical eye. To distance, is to transform the thing that it is to be understood, to which attention is to be drawn, from something banal, known and immediately fixed, into something distinctive, unusual and unexpected. ” N°111 .

  • The Enclave Interior by Jamie Herzlinger

    The clients are world travelers and after a brief period of time living in Milan, they understandably fell in love with the work of Carlos Scarpa! Interpreting his work in combination with the client’s lifestyle made this project very exciting and unique. The house had to be completely gutted, and it was only then that the soaring ceiling heights were discovered. Within the box of space that previously evaporated the entrance, dining room, hallways, and living room, we were able to make each of those public areas very dramatic by the controlled use of the bead blasted steel and poured terrazzo floors that had zinc screeds inlayed for a distinct separation. In the entry, the angled cabinet is a beautiful dining room buffet, fabricated in Makassar ebony and supported within two bead blasted steel columns. It is cantilevered in order to create a visual separation from the entrance, but at the same time contributing to the architectural details. The original master bathroom was combined with a walk in guest closet to create a larger space, as the programming required that the couple preferred to use the bath area together, thereby necessitating a larger space. Visual fluidity and an informal atmosphere were the driving and guiding principles in the complete renovation of this project. .

  • Streetwalk by Charlie Davidson

    A commission won through an open call for artists from Sunniside Partnership, the acting body in charge of revitalising the Sunniside area of Sunderland. Charlie Davidsons original proposal was for a series of benches that had the appearance of walking. This idea was a direct response to the brief which asked designers to draw pedestrians into the east side of town and the newly furbished Sunniside gardens from Sunderland city centre. The original designs were too big for the finalized street layout so the designs were developed into a stool module. The final design is cast in a polymer based cement with coloured quartz and marble aggregate.

TREE Restaurant in Sydney, Australia by Koichi Takada Architects

Koichi Takada Architects have designed the TREE Restaurant in Sydney, Australia.

TREE Restaurant Design in Sydney, Australia by Koichi Takada Architects
We wish to emulate the comfort and tranquility the canopy of tree can create. Timber profiles create the branches of the tree, transforming the Sushi Train restaurant into a place of nature. Dappled light filters between the timber branches. The flairs of light change as you move throughout the restaurant, mimicking the irregularity of natural sunlight, while highlighting the path of the Sushi Train.

Conceptually the TREE has become symbolic of the nurture and care put into growing this successful business. The branches extend to the perimeter, encompassing diners and workers alike.

The timber profiles have been cut using CNC technology, minimizing waste and allowing accuracy and detail in the design. Gaboon Marine Plywood, brings the warmth of timber to the interior, which compliments the texture of the rendered walls. The contrast of these elements highlights the central TREE and the Sushi Train below.

Visit the website of Koichi Takada Architects

Photography by Sharrin Rees

Construction photos by Koichi Takada Architects

Posted by Zombie at 12:14 AM
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