• K3 House by Bruce Stafford Architects

    This dramatic renovation centres around a spacious internal courtyard defined by natural rock face and lush vegetation. Large sliding glass doors in the main living area enable a seamless flow between inside and outside. The living areas also have the added benefit of glazing on the north façade which opens up the house to the view. The master suite pavilion, perched on the highest portion of the rock face, has been designed as a sanctuary for the parents, whilst maintaining a bird’s eye view over the living areas.

  • The Fourth Wall by François Bauchet, Eric Jourdan and N°111

    Initiated by N°111 with François Bauchet and Eric Jourdan, the Quatrième Mur was one of the off exhibitions which spearheaded the event during the St Etienne Design Biennial 2010. In a former cinema and with this mysterious title, three ex- Saint Etienne students invited two of their ex-lecturers for a collective exhibition in the shape of tribute-thanks-transmission with a result which lecturers and pupils alike can be proud of. The installation comprised everyday objects which, through their design and varying scales, gave rhythm and composition to the scenic space. The objective was to encourage the spectator to observe the objects from our domestic environment from a different angle and to reconsider the relationship between objects. “The fourth wall evokes an intellectual wall separating the actor on the stage and the spectator in the room. The installation of the objects on a stage puts distance between them and the spectator. The goal of the distance is to lead the spectator to consider what is taking place on the stage with an investigative and critical eye. To distance, is to transform the thing that it is to be understood, to which attention is to be drawn, from something banal, known and immediately fixed, into something distinctive, unusual and unexpected. ” N°111 .

  • The Enclave Interior by Jamie Herzlinger

    The clients are world travelers and after a brief period of time living in Milan, they understandably fell in love with the work of Carlos Scarpa! Interpreting his work in combination with the client’s lifestyle made this project very exciting and unique. The house had to be completely gutted, and it was only then that the soaring ceiling heights were discovered. Within the box of space that previously evaporated the entrance, dining room, hallways, and living room, we were able to make each of those public areas very dramatic by the controlled use of the bead blasted steel and poured terrazzo floors that had zinc screeds inlayed for a distinct separation. In the entry, the angled cabinet is a beautiful dining room buffet, fabricated in Makassar ebony and supported within two bead blasted steel columns. It is cantilevered in order to create a visual separation from the entrance, but at the same time contributing to the architectural details. The original master bathroom was combined with a walk in guest closet to create a larger space, as the programming required that the couple preferred to use the bath area together, thereby necessitating a larger space. Visual fluidity and an informal atmosphere were the driving and guiding principles in the complete renovation of this project. .

  • Streetwalk by Charlie Davidson

    A commission won through an open call for artists from Sunniside Partnership, the acting body in charge of revitalising the Sunniside area of Sunderland. Charlie Davidsons original proposal was for a series of benches that had the appearance of walking. This idea was a direct response to the brief which asked designers to draw pedestrians into the east side of town and the newly furbished Sunniside gardens from Sunderland city centre. The original designs were too big for the finalized street layout so the designs were developed into a stool module. The final design is cast in a polymer based cement with coloured quartz and marble aggregate.

Showing posts with label Public Building. Show all posts
Showing posts with label Public Building. Show all posts

Pavilions in Bailianjing Park , Shanghai, China by Taranta Creations

Taranta Creations designed a series of art pavilions that were installed in Bailianjing Park along the Hangpu river in Shanghai, China.

Proces Building of Pavilions in Bailianjing Park , Shanghai, China by Taranta Creations

Images of Pavilions in Bailianjing Park , Shanghai, China by Taranta Creations

Bailianjing park is located in the north of Pudong section of the former expo site, along the Huangpu river. Already opened during the China Expo 2010, the park claims its crucial role after the expo. While most of the expo structures are currently demolished, the park remains as a permanent public waterfront. Besides the maintenance of the china pavilion, the expo exhibition center, the Mercedes Benz stadium and the expo boulevard, it is unclear what will happen with the large amount of unoccupied land after the torn down of all the country and corporation pavilions. Continuing the theme of the expo “better city, better life” the green waterfront should function as an attractor of high quality urban developments. A series of art installations along the green belt are part of the landscape design. Among the designers for the different art installations was Taranta Creations.  

Funny Pavilions in Bailianjing Park , Shanghai, China by Taranta Creations
Park life
If you visit the parks in shanghai, you will notice that the Chinese people use these public spaces extensively. From early in the morning till dusk, people come to the park to meet, exercise, eat or relax. You find people practicing tai chi, dancing, singing karaoke, drinking tea or playing the typical Chinese mahjong game. The objective of our design was to create sculptures that added more than only visually quality to the park. We wanted to create an installation that enables and facilitates this typical park life. Inspired by the diversity of Chinese recreational cultures, each sculpture is designated for a specific function to suit for multiple purposes. One sculpture will be equipped with microphones and a screen, so it can be used for singing karaoke. Another will contain trays to store chess and card games. In one of the pavilions you can place bottles, for keeping your drinks cold during the hot summers. Or you can dance on the tunes produced by the “jukebox” sculpture.  

Inovation Pavilions in Bailianjing Park , Shanghai, China by Taranta Creations
Tea pavilions
The sculptures are designed as small pavilions. This way we create a reference to the ancient Chinese Fengkafei tea pavilions, which have always been small centers for recreational and social purposes. Given the location next to the river, we decided to place the pavilions on poles. Not only does this protect the pavilions against a flood from the river, but also makes people aware of this existing threat. As a contrast to the normally gray sky that you usually will experience in shanghai, we choose to execute the pavilions in fresh and bright colors. The colors in combination with the shapes give the cluster of pavilions the appearance of candy. As we believe our pavilions can be the “candy” for people to visit the park. small wind turbines placed on top of the pavilions provide the pavilions with the necessary electricity. During the night the pavilions light the environment.
 

Pavilions in Bailianjing Park , Shanghai, China by Taranta Creations
Bubble gate
At the start of the path that leads towards the pavilions we place a pavilion that represents the modern version of the old Chinese gate. The bubble shape gate is a reminder of the flamboyant architecture that we have experienced at the expo pavilions.

Design team: Enrico Taranta, Giorgio Radojkovic, Juriaan Calis 
Photography by Zhang Jun Photography

Architecture | Kids Play Ground Ring Around a Tree in Tachikawa, Tokyo, Japan by Tezuka Architects

Tezuka Architects have completed the Ring Around a Tree structure at a kindergarten in Tachikawa, Tokyo, Japan.

Safety Kids Play Ground Ring Around a Tree in Tachikawa, Tokyo, Japan by Tezuka Architects

Base Kids Play Ground Ring Around a Tree in Tachikawa, Tokyo, Japan by Tezuka Architects

Have Fun at Kids Play Ground Ring Around a Tree in Tachikawa, Tokyo, Japan by Tezuka Architects

Kids Play Ground Area in Tachikawa, Tokyo, Japan by Tezuka Architects

Kids Play Ground Ring Around a Tree in Tachikawa, Tokyo, Japan by Tezuka Architects

Visit the Tezuka Architects website

Photography by Katsuhisa Kida

Architecture | Place For Bicycle Parking in Zaandam, The Netherlands by Nunc Architects

Nunc Architects designed a warehouse for parking bicycles in Zaandam, The Netherlands.

Building Bicycle Parking in Zaandam, The Netherlands by Nunc Architects

Back Bulding For Bicycle Parking in Zaandam, The Netherlands by Nunc Architects

Escalator Bicycle Parking in Zaandam, The Netherlands by Nunc Architects

Interior Bicycle Parking in Zaandam, The Netherlands by Nunc Architects

Place For Bicycle Parking in Zaandam, The Netherlands by Nunc Architects

Designed to release the pressure on the public space of the main shopping avenue of Zaandam, the fietsenpakhuis accommodates a daily storage of 700 bicycles. Due to a overwhelming popularity of bike use in the Netherlands, many town centers suffer congestion of the public domain. In Zaandam inhabitants are stimulated to leave the car and travel by bike.

The Fietsenpakhuis is designed as a public space, inviting all cyclists to enter.
A huge folding door that opens completely gives access to a double-height open space with a gently inclined staircase leading to the upper floor. The street facade is transparent showing off the main function of its existence, the stored bicycles. The ground floor is paved with bricks, visually connecting the outer street with the interior.

The glass panels in the street facade are stacked in overlap referring to the wooden claddings as seen on regional barns and houses since the 17th century. The transparency of the facades as well as the roof lights allows daylight to enter. On ground level a big window reveals the workshop of the mechanics. They control the free entrance of the parking, and handle the other functions; public toilets, bike repair, renting out bikes and lockers.

The Fietsenpakhuis is sustainable in many ways. Fewer people travel by car. Materials are locally won, the wood used on structure and roof is certified. The building is using passive solar heating and is naturally ventilated. Electricity is generated by using solar panels on the rooftops providing almost all energy needs, keeping the ecological footprint of the building to a minimum.

Visit the Nunc Architects website

Contemporary Media Centre Oberkirch in Germany by Wurm + Wurm Architects

Wurm + Wurm Architects designed the Media Centre Oberkirch in Germany.

Contemporary Media Centre Oberkirch in Germany by Wurm + Wurm Architects

Contemporary Ladder in Media Centre Oberkirch in Germany by Wurm + Wurm Architects

Look Outside in Contemporary Media Centre Oberkirch in Germany by Wurm + Wurm Architects

Media Centre Oberkirch in Germany by Wurm + Wurm Architects

Suit Table For Children an Contemporary Media Centre Oberkirch in Germany by Wurm + Wurm Architects

The centrally positioned open staircase is not only a movement and communication zone, but is an exposure element for the inside-recumbent zones of utilisation with the generously glazed upper light. The facades, with the large apertures, are understood like shop-windows, which permit varied and exciting views in the surrounding town space. The external, brighter window areas serve the reading zones and stay zones, partially furniture with an up and down movement are integrated which the visitor can use as a table or a bench.

The “Media Centre Oberkirch” was decided in 2007 within the scope of a competition by the architecture office Wurm & Wurm for himself. Start of construction was in November, 2008, completion of the building was in February, 2010.
The following units of utilisation with a total area of 2100 square metres are in the building.
Media Centre (former town library) = 1000 square metres
Event space = 190 square metres
Town archive = 400 square metres

Visit the Wurm + Wurm Architects website

Photography by Guido Gegg

EMÜ Sports Hall Architecture Design by Salto Architects

Salto Architects designed the EMÜ Sports Hall in Tartu, Estonia.






The chosen plot for the sports hall was an empty, flat field right at the roadside at the entrance to Tartu, so in addition to functionality and ability to integrate and organize the surrounding campus area, the architectural competition, in a way, expected a greater degree of representation than the building type would normally imply. At the same time, the spatial programme of a sports hall largely prescribes the possibilities of designing the main volume.

We decided to stretch all corners of the cubic volume, and to integrate the building organically with landscape. Elevated ground forms a „cushion“ for the slightly entrenched building, thus optically minimising its volume, and continues in undulating forms, encompassing outdoor sports grounds and bicycle paths, towards a sloping valley further away. The streched-out corners of the building create concave lines both in plan and elevation, gently relating to landscape and softening the size of the building. At the same time the building retains sharpness, enabling constantly varying, expressive views from various angles. This is due to optical effects of the form, clear-cut lines and finishing materials – glass on the longer sides of the building and larch cladding with wooden snags (nicknamed „hair“) on the shorter ones. The latter also add to the subtle play of overall optical effects, being shorter and denser in the middle, and longer and more widely placed at the edges. The snags coloured red form the name of the building – EMÜ spordihoone.

In the interior, the same attitude continues – a limited repertoire of considered details and takes. Moving around, the overall feel is light and airy, easy to navigate. The streched-out plan creates unconventional interior spaces. The choice of colours and materials is strictly limited to smooth exposed concrete and painted carroty surfaces with details in matte and shiny black. Irregularly placed bubbly interior windows opening towards the ballgames hall add a touch of frisky lightness and are echoed in the round glazed openings in gallery floor. In a delicate way, one is reminded that a sports hall is a bodily space – e.g. the concave outline of the building creates galleries narrowing in the middle, and with glazed openings in the floor the resulting space sharpens one’s bodily experience of space.


Visit the Salto Architects website.

Photography by Kaido Haagen, Reio Avaste, and Karli Luik

Whistler Public Library Architecture Design by Hughes Condon Marler Architects

Hughes Condon Marler Architects designed the Whistler Public Library in Whistler, BC, Canada.


Whistler Public Library by Hughes Condon Marler Architects

Reinterpreting the existing Whistler architecture, which is often characterized by overly expressed connection details and faux alpine pastiche, the design intent for the library was to create a crafted response to site conditions and the imperatives of alpine architecture by using local natural materials, contemporary wood detailing, and a formal building response to improve energy efficiency.

Located between the largest park in Whistler Village and a vital pedestrian promenade called the Village Stroll, the Whistler Public Library is a project that celebrates a community’s passion for the outdoors and the creative and intellectual pursuits of locals and visitors alike. From the project’s beginning, the 15,000 sq. ft. library aspired to connect the sense of imagination, contemplation and community found in the world of books with the inspiration created by the surrounding mountain tops and adjacent forest glades.

The library’s L-shaped plan allows multiple connections to contrasting site conditions. On the north side of the site is Village Park which contains a children’s reading circle, pedestrian walkways, biking/skiing greenways and a stream for stormwater management. Adjacent to the park, the elevations on the north and west of the library provide an expansive curtain wall glazing system that optimizes visual connections to Sprott Mountain in the distance and to Village Park in the foreground. To emphasize this relationship, the vertical window mullions are staggered randomly to abstract the rhythm of the tree trunks in the adjacent park and to draw the eye upward toward the views.

In juxtaposition to the park elevations, the south and east elevations on Main Street use pedestrian arcades, long overhangs, rhythms of doubled up glulam columns punctuated with wood windows and infill wood panels to connect to the meandering and intimate architecture of the Whistler Village. To enhance these links to the social life and outdoor activities of Whistler, the building is oriented to create a civic plaza that links the building to the Village Stroll and provides a sense of prospect over the park to the north.

From the book lined walls of St. Jerome’s study to the soaring computer lined sections of the Seattle Library, library typology is continually changing and adapting to differing social conditions and technologies. For this library, there was a desire to provide the flexibility that new media and technologies require but to also carefully consider the relationship between a reader and a book. The Reading Room is located in the north arm of the grand library space but is provided with access to bright west sunlight suitable for repose on a cold winter’s day. This wall is a composition of 40% glazing and 60% insulated wood panels that reduces solar heat gain in the summer. This design strategy also allows patrons to choose a sunny or shady location for their comfortable reading chair and provides a variety of framed views at different scales.

Similarly, but on a more intimate scale, the ceiling of the carrels along the north elevation is dropped down and an enfilade of concrete walls creates a cloistered atmosphere for those wishing to study quietly. Within this space, the millwork carrels are integrated into the wood window frames so that one feels that they are in their own space on the threshold between inside and outside.

A large multipurpose room adjacent to the entry vestibule can be utilized for lectures, artist talks or community events even after regular library hours offers a space for ideas and discussion characteristic of traditional library spaces.

The form of the building references the drama of the jagged mountaintops circling Whistler but also uses notions of sustainability to inform the design. The high summer sun which brings unwanted heat gain is mitigated by the placement of the “back of house” volume with large overhangs and smaller punched window openings on the south side of the building. A small clerestory band over this volume accommodates for low winter sun into the main space of Library while allowing for cross ventilation and views for skiers to the top of Whistler Mountain. On the north elevation, the upwardly sloping roof accommodates a large high performance curtain wall glazing system that maximizes the even north light that is most desirable for reading and glare reduction on computer screens.

Spatially, the result is a building that opens up in plan and section creating dramatic variations in daylighting from season to season and revealing unfolding views of the landscape beyond.

From the outset, the brief for the Whistler Public Library was clear that the building design was to promote the community’s sustainable development ambitions in a visually apparent manner. The most dramatic green strategy utilized in the project is the laminated hemlock roof system. This assembly acknowledges the tradition of craft evolving in Whistler and draws inspiration from the vernacular architectural language of Whistler. Hemlock is a highly accessible and readily available wood species that is currently under-utilized in wood construction. It is superior to cedar and fir from a sustainability perspective because it is often second growth lumber that does not require lengthy transportation to market. The design team developed a panel system of staggered and laminated 4”x12”’s that were simply fabricated without the use of glue into 4’ wide panels and cut to length as required.

The laminations are staggered 3” which increases the effective depth of the beam to span long distances under heavy roof loading from a green roof and very high snow loads. The result of using these panels is that the structural zone is reduced substantially from a traditional decking/purlin/beam system. Architecturally, the panels also become an elegant yet robust ceiling expression that reduces acoustic reverberation and reinforces the idea of inside/outside connection by extending out over the glazing and wall systems to become continuous soffits and overhangs.

Site + Context
The form of the library opens up to the light and views of the mountains to the north. The visual connections are enhanced by physical connections to the landscape including an accessible pedestrian path that links through to an outdoor reading circle used for children’s story time and a creek used to manage stormwater run-off. On the west and north are two outdoor reading terraces that can be used during the later hours of summer sun. To the south, the main entry to the library is located so that building is visible from the Village Stroll and an arcade is provided to protect patrons during inclement weather. Taking advantage of grade changes a bike/skiing end of trip shower and change facility is tucked into the northeast corner adjacent to the park. A south facing civic plaza connects through to the Village Stroll and becomes an important civic space for the community.

Spatial + Light Qualities
Intimate scaled quiet carrals are carved out of the main grand space of the library. A cloistered contemplative space is provided with millwork and wood windows integrated in arrangements that allow for silent study or small group work. The opening windows provide soft north light ideal for reading.

Variations of light and shade over the course of the day combined with compressions and expansions of volume, enhance the experience of the building. In winter, a band of clerestory glazing on the south tapers gently to the west allowing direct sun deep into the building, and drawing young patrons through the building to the children’s area.


In summer, a roof overhang and light shelf on the south combine to bounce light into the space reducing summer heat gain but also bringing in even light conducive to library activities. The shallow structural zone provided by the laminated wood roof maximizes the size of the north facing glazing.

LEED Strategies
Whistler Library is anticipated to receive a LEED Gold Rating by incorporating a wide array of sustainable design principles. A cycling and skiing end-of-trip facility has been provided with showers and lockers to encourage people to use alternate transport. In addition to the siting principles undertaken to reduce solar heat gain, energy efficiency of the building is improved by utilizing ground source heat exchange, displacement heating and cooling (through a raised access floor), high efficiency boilers, and DDC (Direct Digital Control) systems to control opening windows and mechanical systems. Finally, a green roof to reduce stormwater and maintain snow on the roof for increased insulation acts as a visual symbol of the community’s sustainability goals and approach to a re-invented mountain architecture.

Main Floor Plan
The library plan is informed by the particular space requirements of the program in both plan and section. The servant spaces of the back of house and children’s program room are in a low bar along the south elevation with standard ceiling heights. This bar is represented as a wood bridge with heavy masonry and concrete anchoring elements. The entry vestibule, multipurpose room and washroom blocks have the ability to be isolated from the main space of the library so that they can be used for artist talks, slide shows and other community events when the library is closed. The main space of library with its soaring exposed ceiling is zoned according to noise levels with the reading room and children’s area’s located at the bookends. In between, the quiet carrels are located in an intimate space of contemplation with views to the forest and mountains beyond.

Innovation in design – laminated wood roof
The combined load from the green roof and heavy snow loads of Whistler is a substantial 220 lbs/sq.ft. (10.4 kpa). In a typical wood structure based on a deck, purlin and beam assembly these loads would have resulted in an extremely deep structural zone thereby increasing the height of the building and corresponding exterior wall assembly in order to achieve the desired light and views. The laminated system allows for a shallow structural zone reducing exterior cladding quantities and maximizing light and views. In between the panels is a 12” (300mm) space has been left to run services such as sprinklers and lighting conduit and provides some visual relief while maintaining the impression of a clean blanket of wood overhead.



Wood Detailing Approach
Responding to the extremely high snow loads found in Whistler, the vernacular architecture of the area is characterized by the extensive use of heavy timber construction. This project draws upon this tradition but also applies a more contemporary design language by utilizing refined pin connections,hidden knifeplate connections and 19mm reveals between glulam column and beams connections to create a sense of lightness in the support of the laminated wood roof.


Visit the website of Hughes Condon Marler Architects .

Photography by Martin Tessler

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