• K3 House by Bruce Stafford Architects

    This dramatic renovation centres around a spacious internal courtyard defined by natural rock face and lush vegetation. Large sliding glass doors in the main living area enable a seamless flow between inside and outside. The living areas also have the added benefit of glazing on the north façade which opens up the house to the view. The master suite pavilion, perched on the highest portion of the rock face, has been designed as a sanctuary for the parents, whilst maintaining a bird’s eye view over the living areas.

  • The Fourth Wall by François Bauchet, Eric Jourdan and N°111

    Initiated by N°111 with François Bauchet and Eric Jourdan, the Quatrième Mur was one of the off exhibitions which spearheaded the event during the St Etienne Design Biennial 2010. In a former cinema and with this mysterious title, three ex- Saint Etienne students invited two of their ex-lecturers for a collective exhibition in the shape of tribute-thanks-transmission with a result which lecturers and pupils alike can be proud of. The installation comprised everyday objects which, through their design and varying scales, gave rhythm and composition to the scenic space. The objective was to encourage the spectator to observe the objects from our domestic environment from a different angle and to reconsider the relationship between objects. “The fourth wall evokes an intellectual wall separating the actor on the stage and the spectator in the room. The installation of the objects on a stage puts distance between them and the spectator. The goal of the distance is to lead the spectator to consider what is taking place on the stage with an investigative and critical eye. To distance, is to transform the thing that it is to be understood, to which attention is to be drawn, from something banal, known and immediately fixed, into something distinctive, unusual and unexpected. ” N°111 .

  • The Enclave Interior by Jamie Herzlinger

    The clients are world travelers and after a brief period of time living in Milan, they understandably fell in love with the work of Carlos Scarpa! Interpreting his work in combination with the client’s lifestyle made this project very exciting and unique. The house had to be completely gutted, and it was only then that the soaring ceiling heights were discovered. Within the box of space that previously evaporated the entrance, dining room, hallways, and living room, we were able to make each of those public areas very dramatic by the controlled use of the bead blasted steel and poured terrazzo floors that had zinc screeds inlayed for a distinct separation. In the entry, the angled cabinet is a beautiful dining room buffet, fabricated in Makassar ebony and supported within two bead blasted steel columns. It is cantilevered in order to create a visual separation from the entrance, but at the same time contributing to the architectural details. The original master bathroom was combined with a walk in guest closet to create a larger space, as the programming required that the couple preferred to use the bath area together, thereby necessitating a larger space. Visual fluidity and an informal atmosphere were the driving and guiding principles in the complete renovation of this project. .

  • Streetwalk by Charlie Davidson

    A commission won through an open call for artists from Sunniside Partnership, the acting body in charge of revitalising the Sunniside area of Sunderland. Charlie Davidsons original proposal was for a series of benches that had the appearance of walking. This idea was a direct response to the brief which asked designers to draw pedestrians into the east side of town and the newly furbished Sunniside gardens from Sunderland city centre. The original designs were too big for the finalized street layout so the designs were developed into a stool module. The final design is cast in a polymer based cement with coloured quartz and marble aggregate.

ANZ Centre Design by HASSELL

Australian architecture and interior design firm HASSELL have completed the ANZ Centre in Melbourne, Australia. ANZ Centre is one of the most open and permeable banking headquarters in the world. Rarely – if ever before – has a bank invited the public into the heart of its workplace. This ‘urban campus’ is the next generation in design for collaboration and flexibility with most floor space dedicated to shared, interactive activity to enable the incidental connections that are so critical to today’s knowledge economy. Incorporating a raft of first-time green initiatives, the building is also a global environmental and sustainability benchmark.


The new landmark building is located in Melbourne’s Docklands. Its fluid forms are inspired by the riverside setting and the natural external colour palette ranges from earth tones at the ground level to light blue sky references at upper levels.

Permeability and public space

ANZ Centre houses 6,500 people – as many as a small town. Despite its large scale, ANZ Centre provides an opportunity to make small-scale engagements with its local community and operates as a permeable extension of the existing urban precinct. Its ‘urban campus’ design centres around a publicly accessible ground floor ‘common’. The inclusion of this permeable public space within the workplace brings stakeholders and the community into the organisation’s heart, creating a lively ground-level hub including cafes, public art and a visitor centre. Locating the work floors around the central atria maintains a high level of visual connection between the public ‘common’ and the workplace – reinforcing the day-to-day connection between the ANZ population and the community it serves. This demonstrates a bold new direction for a banking institution seeking to balance the need for security and transparency.




Flexibility, diversity and engagement


A cross section of employees – including graduates and younger generation employees – helped shape the design. Extensive consultation and research led by HASSELL, DEGW and The Future Laboratory (London) helped ANZ envision their future workplace to ensure the longevity of its design and meet employee and community expectations for environmental social sustainability.



The result – a flexible, open plan office space – is designed to inspire ANZ’s diverse workplace community today and anticipate its future needs. Expansive floorplates are configured to maximise daylight penetration, promote collaboration, accommodate varied work styles and provide flexibility. Approximately 55 per cent of the work area is shared interactive, collaborative space with the remaining 45 per cent dedicated desk environment.

Urban design principles were used to activate ‘spaces between places’ – juxtaposing noisy and quiet, hot and cold, territorial and non territorial spaces to create flow and vibrancy. Five distinct hub types are distributed across 44 individual hub spaces that connect quiet working zones.

One of the world’s greenest buildings


ANZ Centre has been awarded a 6 Star Green Star sustainability rating from the Green Building Council of Australia. On-site energy production is provided through three key technologies: a tri-generation system; a rooftop photovoltaic array; and six vertical axis wind turbines. A comprehensive water management and recycling system is among other key green initiatives.

Architects in collaboration:
HASSELL and Lend Lease design

Interior designers:
HASSELL

Client:
ANZ

Scale:
NLA: 85,500 square metres
GFA: 130,000 square metres
Floorplates: 9,833 – 6,500 square metres

Sustainability:
6 Star Green Star Office Design rating from the Green Building Council of Australia

Photography: Earl Carter and Peter Bennetts



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