• K3 House by Bruce Stafford Architects

    This dramatic renovation centres around a spacious internal courtyard defined by natural rock face and lush vegetation. Large sliding glass doors in the main living area enable a seamless flow between inside and outside. The living areas also have the added benefit of glazing on the north façade which opens up the house to the view. The master suite pavilion, perched on the highest portion of the rock face, has been designed as a sanctuary for the parents, whilst maintaining a bird’s eye view over the living areas.

  • The Fourth Wall by François Bauchet, Eric Jourdan and N°111

    Initiated by N°111 with François Bauchet and Eric Jourdan, the Quatrième Mur was one of the off exhibitions which spearheaded the event during the St Etienne Design Biennial 2010. In a former cinema and with this mysterious title, three ex- Saint Etienne students invited two of their ex-lecturers for a collective exhibition in the shape of tribute-thanks-transmission with a result which lecturers and pupils alike can be proud of. The installation comprised everyday objects which, through their design and varying scales, gave rhythm and composition to the scenic space. The objective was to encourage the spectator to observe the objects from our domestic environment from a different angle and to reconsider the relationship between objects. “The fourth wall evokes an intellectual wall separating the actor on the stage and the spectator in the room. The installation of the objects on a stage puts distance between them and the spectator. The goal of the distance is to lead the spectator to consider what is taking place on the stage with an investigative and critical eye. To distance, is to transform the thing that it is to be understood, to which attention is to be drawn, from something banal, known and immediately fixed, into something distinctive, unusual and unexpected. ” N°111 .

  • The Enclave Interior by Jamie Herzlinger

    The clients are world travelers and after a brief period of time living in Milan, they understandably fell in love with the work of Carlos Scarpa! Interpreting his work in combination with the client’s lifestyle made this project very exciting and unique. The house had to be completely gutted, and it was only then that the soaring ceiling heights were discovered. Within the box of space that previously evaporated the entrance, dining room, hallways, and living room, we were able to make each of those public areas very dramatic by the controlled use of the bead blasted steel and poured terrazzo floors that had zinc screeds inlayed for a distinct separation. In the entry, the angled cabinet is a beautiful dining room buffet, fabricated in Makassar ebony and supported within two bead blasted steel columns. It is cantilevered in order to create a visual separation from the entrance, but at the same time contributing to the architectural details. The original master bathroom was combined with a walk in guest closet to create a larger space, as the programming required that the couple preferred to use the bath area together, thereby necessitating a larger space. Visual fluidity and an informal atmosphere were the driving and guiding principles in the complete renovation of this project. .

  • Streetwalk by Charlie Davidson

    A commission won through an open call for artists from Sunniside Partnership, the acting body in charge of revitalising the Sunniside area of Sunderland. Charlie Davidsons original proposal was for a series of benches that had the appearance of walking. This idea was a direct response to the brief which asked designers to draw pedestrians into the east side of town and the newly furbished Sunniside gardens from Sunderland city centre. The original designs were too big for the finalized street layout so the designs were developed into a stool module. The final design is cast in a polymer based cement with coloured quartz and marble aggregate.

EMÜ Sports Hall Architecture Design by Salto Architects

Salto Architects designed the EMÜ Sports Hall in Tartu, Estonia.






The chosen plot for the sports hall was an empty, flat field right at the roadside at the entrance to Tartu, so in addition to functionality and ability to integrate and organize the surrounding campus area, the architectural competition, in a way, expected a greater degree of representation than the building type would normally imply. At the same time, the spatial programme of a sports hall largely prescribes the possibilities of designing the main volume.

We decided to stretch all corners of the cubic volume, and to integrate the building organically with landscape. Elevated ground forms a „cushion“ for the slightly entrenched building, thus optically minimising its volume, and continues in undulating forms, encompassing outdoor sports grounds and bicycle paths, towards a sloping valley further away. The streched-out corners of the building create concave lines both in plan and elevation, gently relating to landscape and softening the size of the building. At the same time the building retains sharpness, enabling constantly varying, expressive views from various angles. This is due to optical effects of the form, clear-cut lines and finishing materials – glass on the longer sides of the building and larch cladding with wooden snags (nicknamed „hair“) on the shorter ones. The latter also add to the subtle play of overall optical effects, being shorter and denser in the middle, and longer and more widely placed at the edges. The snags coloured red form the name of the building – EMÜ spordihoone.

In the interior, the same attitude continues – a limited repertoire of considered details and takes. Moving around, the overall feel is light and airy, easy to navigate. The streched-out plan creates unconventional interior spaces. The choice of colours and materials is strictly limited to smooth exposed concrete and painted carroty surfaces with details in matte and shiny black. Irregularly placed bubbly interior windows opening towards the ballgames hall add a touch of frisky lightness and are echoed in the round glazed openings in gallery floor. In a delicate way, one is reminded that a sports hall is a bodily space – e.g. the concave outline of the building creates galleries narrowing in the middle, and with glazed openings in the floor the resulting space sharpens one’s bodily experience of space.


Visit the Salto Architects website.

Photography by Kaido Haagen, Reio Avaste, and Karli Luik

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